Produce a Research proposal entitled does performance management Essay

Produce a Research proposal entitled does performance management motivate staff - Essay Example interest to this study is the comparison of the employees who are incited to complete their tasks in specified time spans with those who will undertake the same tasks in a desultory or in a less motivated way. Interest is also directed at understanding the various motivational strategies the company uses as well as the strategic performance management practices carried out. This proposal will clearly highlight the research methods to be used by the researcher, data analysis criteria to be used as well as the historical background of performance management and the impact on the employees’ motivation. It will also clearly identify the performance management practices that really motivate the employees and those which demoralize the employees. This research will be explorative and will seek to show both the positives and negatives of performance management. The researcher will approach the topic with open mind in order to deduct the best results that are unbiased. Performance management is one of the key goals of the human resource, management department. Performance management in the human resource department includes activities to ensure that the organizational goals are efficiently and effectively met. Performance management focuses on the output and performance of an organization, and processes to build a product or service, employees and departments among others. Performance management has been known to either motivate or demoralize the employees (Armstrong, 2000). Various performance management practices have positive impacts on the company employees while others negatively affect the employees’ performance. Sometimes the human resource management department personnel is not aware of the impact any performance management practice can have on the employees work morale of which it may be detrimental to the company or the organization. A performance management practice that was successful to another company may not work in the current one while that which

Cruel and Unusual Punishment Essay Example | Topics and Well Written Essays - 1250 words

Cruel and Unusual Punishment - Essay Example Despite widespread outcry on the cruelty associated with the death penalty, many countries around the globes still practice it and view it as a perfectly legal form of extreme punishment. Whether to uphold or abolish the death penalty has been a controversial subject in many societies, in the world. This is because of the divergent views that different people have based on phenomenon such as culture, political ideology and religion. The United Nations, for example, has in recent times adopted resolutions though non binding, advocating for the abolishment of executions giving emphasis on the sanctity of life. The European Union also outlaws the practice of capital punishment in its area of jurisdiction through the second article of the European Union Charter of Fundamental Rights. This has proved to be ineffective since countries like the Unites States, Indonesia, India and China, which hold a large part of the global population, still practice capital punishment (Mandery 45). Accordi ng to Amnesty International, two nations each year have abolished capital punishment in their criminal justice systems since 1976. Counties such as Germany, Australia and Spain strongly against the practice of capital punishment regardless of the crime committed. Capital punishment dates as far back as 8th Century B.C in Babylon, where twenty five different crimes were punishable by death. The Hittite code of the 14th Century B.C also embraced capital punishment. Most astonishing of them all was the draconian Athens code of the 7th Century B.C, which set out death as punishment for all crimes. In early civilizations, the death penalty got executed thorough drowning, firing squads, impalement, lynching, decapitation and crucifixion. In present day, capital punishment gets executed through the use of lethal injection, firing squads, lethal gas, hanging and electrocution (Radelet 46). The death penalty in the Unites States has been an issue of insurmountable concern for a long time. Th e precedence of capital punishment in Americas came as a result of British influence on the then colony. Though capital punishment had been occurring, the first recorded execution took place in Virginia in 1608. The early 20th Century marked the resurgence in the execution of the death penalty. The 1930s marked the decade with the largest number of executions in the history of America. In the 1950s, the public began to voice their opposition to capital punishment. This led to a drop in the number of executions. In the 1960s, the legality of capital punishment got challenged. Before 1960, the eighth, fifth and fourteen amendments were interpreted as having endorsed the death penalty. It was later suggested that the death penalty was unusual and cruel, and hence unconstitutional in accordance to the Eighth Amendment (Mandery 77). In 1985, the Supreme Court ruled that the 8th Amendment had an evolving standard of decency which marked progress of a society that was coming of age. This n ewly found decency no longer had room for the death penalty. As a result, the Supreme Court began refining the administration of the death penalty by ensuring that it was practiced with little or no pain inflicted. Whereas the 8th Amendment of the Constitution of the United States restrains the government from cruel and unusual punishments, the ambiguity of the term ‘cruel and unusual’ has over the years fuelled the controversy about the constitutionality of capital p

Burdens of History Essay Example for Free

Burdens of History Essay The British imperial history has long been a fortress of conservative scholarship, its study separated from mainstream British history, its practitioners resistant to engaging with new approaches stemming from the outside – such as feminist scholarship, postcolonial cultural studies, social history, and black history. In this light, Antoinette Burton’s Burdens of History: British Feminists, Indian Women, and Imperial Culture, 1865-1915 represents challenges to the limited vision and exclusivity of standard imperial history. Burton’s Burdens of History is part of a budding new imperial history, which is characterized by its diversity instead of a single approach. In this book, the author examines the relationship between liberal middle-class British feminists, Indian women, and imperial culture in the 1865-1915 period. Its primary objective is to relocate â€Å"British feminist ideologies in their imperial context and problematizing Western feminists historical relationships to imperial culture at home† (p. 2). Burton describes Burdens of History as a history of â€Å"discourse† (p. 7). By this, she means the history of British feminism, imperialism, orientalism, and colonialism. Throughout the book, the author interposes and synthesizes current reinterpretations of British imperial history, women’s history, and cultural studies that integrate analyses of race and gender in attempts at finding the ideological structures implanted in language. In this book, Burton analyzes a wide assortment of feminist periodicals for the way British feminists fashioned an image of a disenfranchised and passive colonized female â€Å"Other†. The impact of the message conveyed was to highlight not a rejection of empire – as modern-day feminists too readily have tended to assume – but a British feminist imperial obligation. According to Burton, empire lives up to what they and many of their contemporaries believed were its purposes and ethical ideals. Burton based her book on extensive empirical research. Here, she is concerned with the material as well as the ideological and aware of the complexity of historical interpretation. Backed by these, the author particularly examines the relationship between imperialism and women’s suffrage. Burton brings together a remarkable body of evidence to back her contention that women’s suffrage campaigners’ claims for recognition as imperial citizens were legitimated as â€Å"an extension of Britains worldwide civilizing mission† (p. 6). Centering on the Englishwomans Review before 1900 and suffrage journals post 1900, the author finds an imperialized discourse that made British women’s parliamentary vote and emancipation imperative if they were to â€Å"shoulder the burdens required of imperial citizens† (p. 172). The author shows in Burdens of History how Indian women were represented as â€Å"the white feminist burden† (p. 10) as â€Å"helpless victims awaiting the representation of their plight and the redress of their condition at the hands of their sisters in the metropole† (p. 7). Responding both on the charge that white feminists need to address the method of cultural analysis pioneered by Edward Said and the imperial location and racial assumptions of historical feminisms, Burton explores the images of Indian women within Victorian and Edwardian feminist writing. In her analysis, the author argues that Indian women functioned as the ideological â€Å"Other† within such texts, their presence serving to authorize feminist activities and claims. By creating an image of tainted Oriental womanhood, and by presenting enforced widowhood, seclusion, and child marriage as â€Å"the totality of Eastern womens experiences† (p. 67), British feminists insisted on their own superior emancipation and laid claim to a wider imperial role. However, while feminists persistently reiterated their responsibility for Indian women, the major purpose of such rhetoric was to institute the value of feminism to the imperial nation. According to the author: â€Å"The chief function of the Other woman was to throw into relief those special qualities of the British feminist that not only bound her to the race and the empire but made her the highest and most civilized national female type, the very embodiment of social progress and progressive civilization† (p. 83). According to Burton, British feminists were, â€Å"complicitous with much of British imperial enterprise† (p. 25): their movement must be seen as supportive of that wider imperial effort. She sustains this argument through an examination of feminist emancipatory writings, feminist periodicals and the literature of both the campaign against the application of the Contagious Diseases Acts in India and the campaign for the vote. Indeed, the greatest strength of this book lies in the fact that Burton has made a n extensive search through contemporary feminist literature from a new perspective. In the process, she recovers some quite interesting subgenres within feminist writing. She shows, for instance, how feminist histories sought to reinterpret the Anglo-Saxon past to justify their own political claims and specifying some characteristic differences between explicitly feminist and more general womens periodicals. Certainly, Burton’s survey establishes the centrality of imperial issues to the British feminist movement, providing a helpful genealogy of some styles of argumentation that have persisted to the present day. Burdens of History is a serious contribution to feminist history and the history of feminism. In conclusion, Burton states that British feminists were agents operating both in opposition to oppressive ideologies and in support of them-sometimes simultaneously, because they saw in empire an inspiration, a rationale, and a validation for womens reform activities in the public sphere. Her arguments are persuasive; indeed, once stated, they become almost axiomatic. However, Burton’s work is to some extent flawed by two major problems. First, the author never compares the â€Å"imperial feminism†; rather she locates in her texts to other imperial ideologies. In addition, Burton does not subject imperialism to the same kind of careful scrutiny she turns on feminism. She does not define â€Å"imperialism† in her section on definitions, but uses the term – as she uses â€Å"feminism† – largely to denote an attitude of mind. Another problem is Burton’s failure to address the question of how feminist imperialism worked in the world more generally. It is true that feminists sought the vote using a rhetoric of cross-cultural maternal and racial uplift, however, one may ask: what were the effects of this strategy on the hearing accorded their cause, on wider attitudes toward race and empire, and, more specifically, on policies toward India? The author not only brushes aside such questions; she implies that they are unimportant. It seems that, for Burton, the ideological efforts of British feminists were significant only for British feminism. It can be argued that Burton’s difficulty in tracing the way Burdens of History works in the world is a consequence of her methodological and archival choices. The problem is not that the author has chosen to approach her subject through a â€Å"discursive tack† (p. 27), but rather that she has employed this method too narrowly and on too restrictive range of sources. While the author has read almost every piece of feminist literature, she has not gone beyond this source base to systematically examine either competing official documents, Indian feminist writings, or imperial discourses. Thus, Burton’s texts are treated either self-referentially or with reference to current feminist debates. Overall, Burton’s approach is useful in providing a critical history for feminism today, Certainly, it is as a critique of Western feminisms pretensions to universal and transhistorical high-mindedness that Burdens of History succeeds. However, if one wishes to map out the impact of imperial feminism not only on feminism today, but also on imperial practices and relations historically, one needs a study that is willing to cross the border between political history and intellectual history and to take greater methodological risks.

Compare at least four poems from the ones you have studied where a Essa

Compare at least four poems from the ones you have studied where a strong dislike for another person is shown. Write about My Last Duches a poem from Duffy, one form Armitage and another from the pre 1914 poetry bank. My Last Duchess was written by Robert Browning and published in 1842. It is based on a real person. Alfonso, Duke of Ferrara (1537-1597), married fourteen year-old Lucrezia de Medici in 1158 when he was twenty one. Three years later she was killed, possibly poisoned. The Duke then arranged to marry the daughter of the count of Tyrol. As was customary at the time, the marriage arrangements were arranged between the Duke and a go between. ‘My Last Duchess’ is a poem in which the appearance of the poem is different from the reality. When read ‘My Last Duchess’ appears to be a civilised conversation between the Duke and a Nobleman in which the topic of conversation is brought about by the Dukes decision to show the his very privileged guest a great masterpiece and to recount something of his previous wife. Beneath the surface, however, is a ruthless story of ruthless power and the Dukes disapproval of the natural and innocent behaviour of his naà ¯ve wife, who apparently does not know the value of his great name. The poem has a very abrupt beginning and appears to be one half of a conversation. Browning opens with the Duke explaining why he has named the painter, and that the painting is kept behind a curtain which he alone is permitted to draw back. And when he does this it seems as though the viewer is keen to ask why only the Duke is allowed to draw the curtain, but is too frightened to ask. We also note he is not been the first to question this action. We learn that the Duke is very par... ...from Book of Matches. Like The laboratory & my last Duchess, Hitcher is a dramatic monologue in which a man confesses to murder. We notice that he is like, yet unlike, his victim. Briefly the man in the poem has been taking time off work – feigning illness and not answering the phone. As this man drives out of Leeds he picks up a hitchhiker who is travelling light and has no set destination. Some little way later he attacks he attacks his passenger, and throws him out of the still-moving car. The last he sees of the hiker, he is â€Å"bouncing off the kerb, and then disappearing down the verge† – we do not if he is dead or just badly injured. The driver does not care. Unlike My last Duchess & the Laboratory the man in Hitcher does not know the man that he has killed. He does not even have a real motive for killing like the Characters in the other poems do.

Romeo and Juliet, and War Poetry Comparison Paper

How well does Baz Lurhmann’s adaptation if the script show the theme of conflict? I think Baz Lurhmann’s adaptation of Romeo and Juliet strongly shows the theme of conflict throughout the entire film, in which it is retold for the modern viewers.Baz Lurhmann shows at the start of the film two sky high building with ‘Montague’ and ‘Capulet’ in bold lettering at the top, this shows how the two families have a lot of rivalry, such as in the business world of today’s society which a lot of people can relate to also the fact they are both nearly at a war about something nobody knows anything about ‘Ancient grudge‘, I think this is the base point of the build up of conflict in the film. Lurhmann also used quite modern weapons such as guns and drugs which I think is easier for people to understand, as it is up to date which world today.In nearly every shot in the film there is a gun which shows the amount of tension and rivalry betw een everyone and how this leads into the conflicts. Also Lurhmann choose to represent the different houses in the form of gangs which a lot of people now days can understand in a sense which there is always a lot of conflict to protect yourself and your family name. I think Lurhmann has achieved exactly this in Act 1 Scene 1. The conflict shown in this scene is incredible in a way in which it is brought up how something very small can lead into something big and cause a lot of damage and disruption.

The Role of Intention in Relation to Resulting and Constructive Trusts Free Essay Example, 750 words

It is generally perceived that the common intention plays a significant role in the law of trusts like resulting and constructive trusts. At the same time better not waste the time in search of phantoms of common intention in the law of trusts for fulfilling the objective of social justice which needs a more practical approach. Hence the view of Gray and Gray that social justice can be better served by leaving the phantoms of common intention in the laws of trust is considered to be accurate (Gray and Gray, 2006). For analyzing this view, one has to thoroughly evaluate the meaning of laws of trust and positive factors for serving social justice. What is the meaning of resulting trust? A resulting trust may be defined as the form of an implied trust which occurs when a trust fails, either fully or partially, as a result of which the settlor becomes entitled to the assets. It is also stated as a situation where property "results" back to the transferor. In this context, the word 'resu lt' denotes "in the result, remains with", or to "revert". We will write a custom essay sample on The Role of Intention in Relation to Resulting and Constructive Trusts or any topic specifically for you Only $17.96 $11.86/page

Flannery OConnors A Good Man Is Hard to Find and Revelation

Southern gothic is a type of literature that focuses on the harsh conflicts of violence and racism, which is observed in the perspective of black and white individuals. Some of the most familiar southern authors are William Faulkner, Flannery O’Connor, and Cormac McCarthy. One author in particular, Flannery O’Connor, is a remarkable author, who directly reflects upon southern grotesque within her two short stories, â€Å"A Good Man is Hard to Find† and â€Å"Revelation.† These two short stories are very similar to each other, which is why I believe that O’Connor often writes with violent characters to expose real violence in the world while tying them in with a particular spiritual insight. The first short story that O’Connor refers to with†¦show more content†¦The grandmother feels that God provides the answer to any underlying problems, and the Misfit knows and feels that all of the horrible things he has done are truly not conside red morally wrong from his perspective. Towards the end, when the grandmother experienced an epiphany before the Misfit shot her in the chest she stated, â€Å"Why you’re one of my babies. You’re one of my own children† (11). This made the grandmother realize that she was expressing the true Christian belief that we are all seen as equal in the eyes of God, no matter how murderous someone may be. O’Connor’s use of spiritual insight stripped away the grandmothers self-centeredness, and helped her discover the ability to see others with compassion and understanding. Nonetheless, within â€Å"A Good Man is Hard to Find† O’Connor provides great amount of spiritual insight in her short stories mainly as a way to connect her characters with God and to make them recognize the true meaning of individual equality. The concept of judging other individuals based on their looks and class status is a reflection seen within Flannery O’Connor ’s short story called â€Å"Revelation.† In this story O’Connor illustrates a women who is extremely arrogant, and believes that she is superior to others because of her white skin and wealth. ThisShow MoreRelatedFlannery O’Connor’s short stories â€Å"A good man is hard to find† and â€Å"Revelation† share many700 Words   |  3 PagesFlannery O’Connor’s short stories â€Å"A good man is hard to find† and â€Å"Revelation† share many similarities. While â€Å"A good man is hard to find† is about a family that goes on a vacation that ultimately results in all of their deaths. â€Å"Revelation† is about a woman who is very judgmental and looks down on people. In the end both characters have revelations that contrast with who they are and how they portray themselves to the world. The protagonist in ‘Revelation† is Mrs. Turpin, and she depictsRead More Violence Leading To Redemption In Flannery OConnors Literature1482 Words   |  6 PagesViolence Leading to Redemption in Flannery OConnors Literature Flannery OConnor uses many of the same elements in almost all of her short stories. I will analyze her use of violence leading to the main character experiencing moral redemption. The use of redemption comes from the religious background of Flannery OConnor. Violence in her stories is used as a means of revelation to the main characters inner self. The literature of Flannery OConnor appears to be unbelievably harsh and violentRead More Flannery OConnor: A Twentieth Century Fiction Writer Essay829 Words   |  4 Pageswritten about Flannery OConnors short stories and novels. There is a significant amount critical analysis about Flannery OConnor because she used so many styles that have not been used before. Flannery OConnor ranks among he most important American fiction writers of the twentieth century. Flannery OConnor was born in 1925 in Savannah, Georgia, and lived there until her family moved in 1938. OConnor and her family moved to a small Georgia farming town named Milledgeville. When Flannery was 15 yearsRead MoreO’Connor’s Use of Dynamic Grace979 Words   |  4 PagesThroughout many of O’Connor’s short stories, a theme of religion and morality can be easily found. O’Connor’s stories explore a notion of struggles between her story’s main characters and their sacrilegious faults; these characters are typically depicted with the fatal-flaw of a superiority complex. This is of course, ironic due to the fact that many of these characters believe themselves to be pious Christians and though this entails that they should not retain a judgmental nature, they do so anywaysRead MoreFlannery O’connor’s Use of Symbolism, Theme, and Religion1057 Words   |  5 PagesFlannery O’Connor’s Use of Symbolism, Theme, and Religion In this essay I will be covering the similarities, differences, and uniqueness of theme in three of Flannery O’Connor’s short stories. The stories I will be discussing are A Good Man is Hard to Find, Revelation, and Good Country People. O’Connor was considered to be a type of religious propaganda. At least one character in her stories had a name or behavior that reflected religion. Her stories most often had an aggressive twist to them.Read More Comparing Pride in A Good Man is Hard to Find, Good Country People and Revelation989 Words   |  4 PagesPride in A Good Man is Hard to Find, Good Country People and Revelation    Pride is a very relevant issue in almost everyones lives. Only when a person is forced to face his pride can he begin to overcome it. Through the similar themes of her short stories, Flannery OConnor attempts to make her characters realize their pride and overcome it. In A Good Man is Hard to Find, the grandmother is a typical Southern lady. This constant effort to present herself a Southern lady is where herRead MoreExploring Characters and Themes in A Good Man Is Hard to Find by Flannery OConnor1273 Words   |  6 Pages Exploring Characters in A Good Man is Hard to Find Flannery OConnor once said of her writing, All my stories are about the action of grace on a character that is not very willing to support it, but most people think of these stories as hard, hopeless and brutal. This statement is especially true when matched with OConnors A Good Man is Hard to Find, in which character plays such an essential role within the story. Through her characters, particularly the Grandmother and the MisfitRead More Flannery OConnor and William Faulkners Characters and Morality948 Words   |  4 PagesFlannery OConnor and William Faulkners Characters and Morality Flannery O’Connor and William Faulkner refuse to surrender to the temptation of writing fanciful stories where the hero defeats the villain and everyone lives happily ever after. Instead, these two writers reveal realistic portrayals of death and the downfall of man. Remarkably, O’Connor and Faulkner’s most emotionally degraded characters fail to believe that an omnipotent deity controls their fate. This belief directly correlatesRead MoreEssay about O’Connor’s Works: An In-Depth Analysis2157 Words   |  9 Pagesstories. Usually these events create a base for which the author writes upon thus contributing to the author’s exceptional way of thinking. For example, author Terry Teachout says that â€Å"OConnors religious beliefs were central to her art† (Teachout 56). O’Connor’s religion played a crucial role in her writings. Flannery OConnor is regarded one of the major brief tale authors in United States literary p erforms. Among the thing that makes her work stand out to date is the boldness in her writing inRead MoreEssay on A Good Man Is Hard to Find by Flannery Oconnor1150 Words   |  5 Pagesmany of Flannery O’Connor’s short stories. In many of her short stories, O’Connor exposes the dark side of human nature and implements violent and brutal elements in order to emphasize her religious viewpoints. In the short stores â€Å"A Good Man Is Hard to Find† and â€Å"Revelation†, O’Connor explicitly depicts this violence to highlight the presence and action of holy grace that is given to a protagonist who exudes hypocritical qualities. During the family trip in â€Å"A Good Man Is Hard to Find† to Georgia